BWM Designers & Architects

Visitors begin their walk through the exhibition in a deep black room, where the darkness enhances the intensity of the pieces on display. As they move through the subsequent rooms, the intensity of the atmospheric shades gradually increases – from burnt umber black to cobalt green black, and then to maroon black. This progression culminates in a vibrant red (rouge foncé), which evolves into copper mountain red in the next room. A light, airy shade of blue in the final room brings the exhibition to a bright conclusion. Each room features two shades of the dominant colour. The colour transitions follow sweeping lines that echo the curves of the suspended partitions, marking the passage from one thematic section to the next.

Curved suspended partitions

In each room, a curved partition is strategically placed to transform the visitors’ perception of the space. These architectural elements create a dynamic flow, subtly guiding visitors through the exhibition while sparking curiosity with glimpses of the “hidden” spaces beyond.

Reference to Gothic architecture

Johann Moser: “The exhibition design makes an abstract reference to the principles of Gothic architecture: the ascending colour narrative evokes the pursuit of light, while the dynamic spatial layout mitigates the heaviness of the rooms.”